VIII
by Wilkie Collins
June 19th. I had just reached the top of the stairs when I heard Lauraâs door click shut, which reminded me to lock my own door too. I decided to keep the key with me while I was out of the room. My journal was already tucked away with some other papers in the drawer of the table, but my writing supplies were still out. Among them was a seal with the familiar image of two doves drinking from the same cup, along with some sheets of blotting paper that bore the faint impression of my writing from the night before.
With the growing suspicion that had taken root in me, even these small items felt too risky to leave unguarded. I even questioned whether the locked drawer was secure enough in my absence, so I made sure everything was properly locked away.
When I returned to my room, there was no sign that anyone had entered while I was with Laura. My writing materials, which I had specifically instructed the servant not to touch, were scattered across the table just as I had left them. The only thing that caught my attention was that the seal was neatly placed in the tray with the pencils and wax. It wasnât like me to put it there, and I couldnât remember doing so. But since I couldnât recall where I had left it either, I decided not to dwell on it. I locked the door, pocketed the key, and headed downstairs.
Madame Fosco was alone in the hall, studying the weather-glass.
âItâs still falling,â she said. âIâm afraid we can expect more rain.â
Her face had returned to its usual calm expression and color, but her hand trembled slightly as she pointed to the dial.
Could she have already told her husband that she overheard Laura calling him a âspyâ in my presence? The strong suspicion that she had, along with an overwhelming dread of the potential consequences, flooded my mind. I was convinced, based on the little signs women often notice in each other, that Madame Fosco, despite her polite demeanor, hadnât forgiven Laura for standing in the way of her inheritance of ten thousand pounds. All these thoughts pushed me to speak, hoping to use my influence to mend the rift caused by Lauraâs words.
âMay I ask for your kindness, Madame Fosco, to excuse me if I bring up a very painful subject?â
She crossed her hands in front of her and bowed her head solemnly, keeping her gaze fixed on mine.
âWhen you kindly returned my handkerchief,â I continued, âI fear you may have accidentally overheard Laura say something Iâm reluctant to repeat and wonât attempt to defend. I can only hope you didnât think it was important enough to mention to the Count?â
âI consider it of no importance whatsoever,â Madame Fosco replied sharply. âHowever,â she added, quickly regaining her icy composure, âI have no secrets from my husband, even about trifles. When he noticed that I looked distressed just now, it was my duty to tell him why, and I must admit to you, Miss Halcombe, that I HAVE told him.â
I braced myself for her words, yet they sent a chill through me.
âPlease, Madame Foscoâplease ask the Count to consider the difficult position my sister is in. She spoke in the heat of the moment, hurt by the insult and injustice from her husband. She wasnât herself when she said those things. Can we hope for some understanding and forgiveness?â
âMost certainly,â came the Countâs calm voice from behind me. He had approached silently, a book in hand, having come from the library.
âWhen Lady Glyde spoke those hasty words,â he continued, âshe did me an injustice that I regretâand forgive. Letâs not dwell on this matter, Miss Halcombe; letâs all agree to forget it from this moment on.â
âYou are very kind,â I replied, feeling an immense weight lift off my shoulders.
I tried to continue speaking, but his gaze was fixed on me, his deadly smileâone that concealed everythingâset hard and unwavering on his broad, smooth face. My distrust of his unfathomable deceit and my own discomfort at having to appease both him and his wife left me so unsettled that the words caught in my throat, and I stood there in silence.
âIâm begging you, Miss Halcombe, please stop talking,â he said, his voice polite but strained. âIâm genuinely shocked that you felt the need to say so much.â
With that, he took my handâoh, how I loathed myself for allowing it! Even knowing I did it for Lauraâs sake brought me no comfort. He pressed his lips to my hand, and in that moment, I felt a wave of horror wash over me. That innocent gesture felt like the most vile insult a man could offer. Yet, I masked my disgust, forcing a smile. I, who had once scorned deceit in other women, was now as false as the worst of them, as false as the Judas who had dared to touch my hand.
I donât know how I managed to keep my composureâitâs the one thing that redeems me in my own eyes to know that I couldnât have done it if he had continued to look at me. His wifeâs fierce jealousy came to my rescue, drawing his attention away the moment he took my hand. Her cold blue eyes sparked with life, and her pale cheeks flushed with color, making her look years younger in an instant.
âCount!â she exclaimed. âYour foreign manners arenât understood by Englishwomen.â
âForgive me, my angel! The best and dearest Englishwoman in the world understands them.â With that, he dropped my hand and raised his wifeâs hand to his lips instead.
I hurried back up the stairs to the safety of my room. If I had had time to think, my thoughts would have caused me immense pain. But there was no time for reflection. Thankfully, all I had time for was action, which helped me maintain my calm and courage.
I needed to write letters to the lawyer and to Mr. Fairlie, so I sat down immediately, without hesitation, to focus on them.
I had no multitude of options to confuse meâthere was no one to rely on but myself. Sir Percival had no friends or relatives nearby whose help I could seek. He was on the coldest termsâwith some, even the worst termsâwith the families of his own rank living close by. We two women had no father or brother to come to our aid. The only choice was to write those two uncertain letters or to put Laura and myself in a position where any chance of peaceful negotiation would be lost if we secretly fled Blackwater Park. Only the most immediate personal danger could justify taking that second route. The letters had to be sent first, so I wrote them.
I didnât mention Anne Catherick to the lawyer because, as I had already hinted to Laura, that topic was tied to a mystery we couldnât yet explain. It would be pointless to bring it up with a professional. I let him assume Sir Percivalâs disgraceful behavior stemmed from fresh disputes over money and simply asked about the possibility of legal action for Lauraâs protection if her husband refused to let her leave Blackwater Park and return with me to Limmeridge. I referred him to Mr. Fairlie for the details of that arrangement, assured him I was writing with Lauraâs authority, and urged him to act on her behalf as quickly as possible.
Next, I turned to the letter for Mr. Fairlie. I appealed to him in the way I thought would motivate him best; I enclosed a copy of my letter to the lawyer to emphasize the seriousness of the situation, and I framed our move to Limmeridge as the only compromise that could prevent the danger and distress of Lauraâs current position from affecting her uncle as well.
Once I finished writing, sealed the envelopes, and addressed them, I returned to Lauraâs room to show her that the letters were ready.
âHas anyone disturbed you?â I asked when she opened the door.
âNo one has knocked,â she replied. âBut I heard someone in the outer room.â
âWas it a man or a woman?â
âA woman. I heard the rustling of her gown.â
âWas it a rustling like silk?â
âYes, like silk.â
Madame Fosco had clearly been lurking outside. The trouble she could cause on her own was minimal, but the damage she could inflict as an ally of her husband was far too dangerous to ignore.
âWhat happened to the rustling when you no longer heard it in the ante-room?â I asked. âDid you hear it pass by your wall, down the hallway?â
âYes. I stayed still and listened, and I just caught it.â
âWhich way did it go?â
âTowards your room.â
I paused to think again. The sound hadnât registered with me. I was completely absorbed in my letters, writing with a heavy hand and a quill pen, the scratching noise echoing across the paper. It was far more likely that Madame Fosco would hear the scraping of my pen than for me to catch the rustling of her dress. That was another reasonâif I needed oneâfor not trusting my letters to the post-bag in the hall.
Laura noticed my contemplation. âMore difficulties!â she said wearily. âMore difficulties and more dangers!â
âNo dangers,â I replied. âJust a little difficulty, perhaps. Iâm trying to figure out the safest way to get my two letters into Fannyâs hands.â
âYouâve really written them, then? Oh, Marian, please donât take any risksâplease, please donât take any risks!â
âNo, noâthereâs no need to worry. Let me seeâwhat time is it now?â
It was a quarter to six. I had enough time to get to the village inn and return before dinner. If I waited until the evening, I might miss my chance to leave the house safely.
âKeep the key turned in the lock, Laura,â I said. âAnd donât worry about me. If you hear any inquiries, just call through the door and say Iâve gone out for a walk.â
âWhen will you be back?â
âBefore dinner, for sure. Be brave, my love. By this time tomorrow, youâll have a clear-headed, trustworthy man looking out for your best interests. Mr. Gilmoreâs partner is our next best ally after Mr. Gilmore himself.â
Once I was alone, I realized it would be better not to put on my walking clothes until I figured out what was happening downstairs. I still hadnât determined whether Sir Percival was in the house or not.
The sound of canaries singing in the library and the faint smell of tobacco smoke wafting through the slightly open door told me where the Count was. I glanced over my shoulder as I passed the doorway and was surprised to see him charmingly demonstrating the birdsâ docility to the housekeeper. He must have invited her to see them; she would never have ventured into the library on her own. Every little action of his seemed to have a purpose behind it. What could he be up to now?
There wasnât time to ponder his motives. I looked for Madame Fosco next and found her walking in circles around the fish pond.
I felt a bit uncertain about how she would react to me after the jealousy I had stirred up not long ago. But her husband had tamed her in the meantime, and she greeted me with her usual politeness. I only wanted to find out where Sir Percival was. I managed to bring him up indirectly, and after some back-and-forth, she finally mentioned that he had gone out.
âWhich horse did he take?â I asked casually.
âNone of them,â she replied. âHe left on foot two hours ago. As I understood it, he was going to make fresh inquiries about a woman named Anne Catherick. He seems unreasonably anxious to track her down. Do you know if sheâs dangerously insane, Miss Halcombe?â
âI donât know, Countess.â
âAre you going inside?â
âYes, I think so. It must be almost time to get ready for dinner.â
We entered the house together. Madame Fosco strolled into the library and closed the door behind her. I hurried to grab my hat and shawl. Every moment was crucial if I was to reach Fanny at the inn and return before dinner.
When I crossed the hall again, it was empty, and the birds in the library had fallen silent. I couldnât afford to investigate further. I just needed to ensure the way was clear and then leave the house with the two letters safely tucked in my pocket.
As I made my way to the village, I prepared for the possibility of encountering Sir Percival. As long as I faced him alone, I felt confident I wouldnât lose my composure. Any woman who trusts her own wits can hold her ground against a man unsure of his temper. I didnât fear Sir Percival as much as I did the Count. The news of his errand actually calmed me. As long as he was preoccupied with finding Anne Catherick, Laura and I might have a reprieve from his active harassment. For both our sakes and Anneâs, I hoped and prayed she would remain safe from him.
I walked briskly, despite the heat, until I reached the crossroad leading to the village, glancing back occasionally to ensure I wasnât being followed.
The only thing behind me was an empty wagon rumbling along the road. The sound of its creaking wheels was irritating, so when I realized it was headed toward the village like I was, I paused to let it pass and fade into the distance. As I glanced back, I thought I saw the shadow of a man walking closely behind it, the driver in front with his horses. The stretch of the crossroad I had just crossed was so narrow that the wagon brushed against the trees and bushes on either side. I had to wait for it to pass before I could confirm my suspicion. But once it rolled by, the road behind me was completely clear.
I arrived at the inn without encountering Sir Percival or noticing anything unusual, relieved to see that the landlady had welcomed Fanny with warmth. The girl had a small parlor to sit in, away from the noise of the taproom, and a clean bedroom at the top of the house. She burst into tears when she saw me, lamenting that it felt terrible to be cast out into the world as if she had done something unforgivable, especially when no one, not even her master who had sent her away, could blame her.
âTry to make the best of it, Fanny,â I said gently. âYour mistress and I will support you, and weâll ensure your reputation stays intact. Now, listen carefully. I donât have much time, and Iâm putting a lot of trust in you. I need you to take care of these two letters. The one with the stamp goes in the post when you get to London tomorrow. The other, addressed to Mr. Fairlie, you must deliver to him yourself as soon as you get home. Keep both letters close and donât give them to anyone. Theyâre crucial for your mistressâs sake.â
Fanny tucked the letters into her dress. âTheyâll stay there, miss,â she promised, âuntil Iâve done what you asked.â
âMake sure youâre at the station early tomorrow morning,â I continued. âAnd when you see the housekeeper at Limmeridge, send her my regards and let her know youâre in my service until Lady Glyde can take you back. We might see each other again sooner than you think. So keep your spirits up, and donât miss the seven oâclock train.â
âThank you, missâthank you so much. It gives me strength to hear your voice again. Please send my regards to my lady and tell her I did my best to tidy everything up in the time I had. Oh, who will dress her for dinner today? It breaks my heart to think about it.â
When I returned to the house, I had only fifteen minutes to get ready for dinner and to speak to Laura before heading downstairs.
âThe letters are with Fanny,â I whispered to her at the door. âAre you joining us for dinner?â
âOh, no, not for anything.â
âHas something happened? Did someone disturb you?â
âYesâjust nowâSir PercivalâŠâ
âDid he come in?â
âNo, he scared me with a loud knock on the door. I asked, âWhoâs there?â He replied, âYou know.â Then he said, âWill you change your mind and tell me the rest? You will! Sooner or later, Iâll get it out of you. You know where Anne Catherick is right now.â I insisted, âI truly donât.â He shouted back, âYou do! Iâll break your stubbornnessâremember that!âIâll get it out of you!â He left with those wordsâjust five minutes ago, Marian.â
He hadnât found Anne! We were safe for the nightâhe hadnât discovered her yet.
âYouâre going downstairs, Marian? Come back up in the evening.â
âYes, yes. Donât worry if Iâm a bit lateâI have to be careful not to offend by leaving too soon.â
The dinner bell rang, and I hurried away.
Sir Percival escorted Madame Fosco into the dining room, and the Count offered me his arm. He looked flushed and was dressed less meticulously than usual. Had he been out before dinner and returned late? Or was he just feeling the heat more than usual?
Despite everything, it was clear that he was grappling with some hidden worry or irritation that he couldnât quite mask, no matter how skilled he was at deception. Throughout dinner, he was nearly as quiet as Sir Percival himself, and occasionally cast furtive glances at his wife that revealed a new layer of unease I hadnât seen before. The only social duty he seemed able to perform with his usual grace was to remain consistently polite and attentive to me. I still couldnât figure out what his true intentions were, but whatever his plan might be, he had been using unwavering courtesy towards me, constant humility towards Laura, and a determined effort to suppress Sir Percivalâs clumsy aggression since he arrived at the house. I had sensed something was off when he first intervened on our behalf the day the deed was revealed in the library, and now I was certain of it.
When Madame Fosco and I stood to leave the table, the Count rose as well to escort us back to the drawing room.
âWhere do you think youâre going?â Sir Percival asked, directing his question at the Count. âI mean YOU, Fosco.â
âIâm leaving because Iâve had enough dinner and enough wine,â the Count replied. âPlease, Percival, try to understand my foreign habit of going out with the ladies as well as coming in with them.â
âNonsense! Another glass of claret wonât hurt you. Sit down like an Englishman. I want to have a quiet talk with you over our wine.â
âA quiet talk, Percival, Iâm all for it, but not now, and not over the wine. Later in the evening, if you donât mindâlater in the evening.â
âCivil!â Sir Percival snapped, his irritation evident. âCivil behavior, I swear, to a man in his own house!â
I had noticed more than once how Sir Percival looked at the Count with unease during dinner, while the Count deliberately avoided returning his gaze. This, combined with Sir Percivalâs desire for a quiet conversation and the Countâs stubborn refusal to sit back down, reminded me of the earlier request Sir Percival had made for a private talk in the library, which the Count had postponed. Whatever they needed to discuss, it clearly mattered a great deal to Sir Percival, and judging by the Countâs reluctance to engage, it might be a risky topic for him.
These thoughts occupied my mind as we moved from the dining room to the drawing room. Sir Percivalâs angry remarks about his friendâs departure had no effect on the Count, who stubbornly followed us to the tea table. He lingered for a moment before stepping out into the hall, only to return with the post bag in hand. It was eight oâclockâthe usual time for letters to be sent from Blackwater Park.
âDo you have any letters for the post, Miss Halcombe?â he asked, approaching me with the bag.
I noticed Madame Fosco, who was preparing the tea, pause with the sugar tongs in hand, waiting for my response.
âNo, Count, thank you. No letters today.â
He handed the bag to the servant in the room, then sat down at the piano and played the lively Neapolitan street song, âLa mia Carolina,â twice. His wife, usually so deliberate in her movements, made the tea as quickly as I could have done, finished her own cup in two minutes, and quietly slipped out of the room.
I stood up to follow her, partly because I suspected she might be plotting something with Laura upstairs, and partly because I was determined not to be alone in the same room with her husband.
Before I could reach the door, the Count stopped me with a request for a cup of tea. I handed him the cup and tried again to leave. He halted me once more, this time returning to the piano and suddenly asking me a musical question, claiming that the honor of his country was at stake.
I tried to explain that I knew nothing about music and had no taste for it. But he wouldnât hear of it. With an intensity that left no room for further argument, he pressed on.
âThe English and Germans,â he declared, âare always criticizing the Italians for not embracing the finer aspects of music. We boast about our Oratorios, while they rave about their Symphonies. Have we forgotten, or have they forgotten, about his legendary friend and fellow countryman, Rossini? What was *Moses in Egypt* if not a magnificent oratorio, performed on stage instead of just sung in a concert hall? And what about the overture to *Guillaume Tell*? Isnât that just a symphony by another name? Have you heard *Moses in Egypt*? Listen to this, and this, and this, and tell me if anything more sacred and grand has ever been composed by anyone!â
Without waiting for my response, he locked eyes with me and began pounding on the piano, singing with a booming enthusiasm. He interrupted himself every so often to announce the titles of the pieces: âChorus of Egyptians in the Plague of Darkness, Miss Halcombe!âââRecitativo of Moses with the Tables of the Law.âââPrayer of the Israelites at the Passage of the Red Sea. Aha! Aha! Is that sacred? Is that sublime?â The piano shook under his forceful touch, and the teacups on the table rattled as his deep voice filled the room, his foot keeping time on the floor.
There was something unsettlingâalmost feralâin the way he reveled in his own performance, watching me shrink closer to the door. Finally, I was saved, not by my own efforts, but by Sir Percival, who burst into the dining room, demanding to know what âthat infernal noiseâ was all about. The Count immediately stopped playing. âAh! If Percival is coming,â he said, âthen harmony and melody are both finished. The Muse of Music, Miss Halcombe, abandons us in despair, and I, the old minstrel, will exhale the rest of my enthusiasm in the fresh air!â He strode out to the verandah, hands in his pockets, and began to hum the âRecitativo of Mosesâ softly in the garden.
I heard Sir Percival call after him from the dining room window, but the Count ignored him, clearly determined not to listen. Their long-overdue conversation would have to wait for the Countâs convenience.
He had kept me in the drawing room for nearly half an hour since his wife left us. Where had she gone, and what had she been doing all that time?
I went upstairs to find out, but discovered nothing. When I asked Laura, she said she hadnât heard anything. No one had disturbed her; not even the faint rustle of a silk dress had reached her ears in the ante-room or the hallway.
It was now twenty minutes to nine. After grabbing my journal from my room, I returned to sit with Laura, writing occasionally and stopping to chat. No one came near us, and nothing happened. We stayed together until ten oâclock. I finally stood up, offered her my last encouraging words, and wished her goodnight. She locked her door after we agreed that I would come in to see her first thing in the morning.
I had a few more sentences to jot down in my diary before heading to bed. As I made my way back to the drawing room after leaving Laura for the night, I planned just to show my face, make my excuses, and then retire early.
Sir Percival, the Count, and his wife were sitting together. Sir Percival lounged in an easy chair, yawning; the Count was reading, and Madame Fosco was fanning herself. Oddly enough, her face was flushed. She, who never seemed to be affected by heat, was clearly feeling it tonight.
âIâm afraid, Countess, that youâre not quite yourself this evening?â I said.
âThatâs exactly what I was about to say to you,â she replied. âYou look pale, my dear.â
*My dear!* It was the first time she had ever addressed me so casually. There was an arrogant smile on her face when she said it.
âIâm suffering from one of my bad headaches,â I replied coolly.
âAh, I see. A lack of exercise, I suppose? A walk before dinner would have done you good.â She emphasized the word âwalkâ strangely. Had she seen me leave? It didnât matter; the letters were safe in Fannyâs hands.
âCome have a smoke, Fosco,â Sir Percival said, rising with an uneasy glance at his friend.
âWith pleasure, Percival, but only after the ladies have gone to bed,â the Count replied.
âExcuse me, Countess, if I lead the way to my room,â I said. âThe only cure for a headache like mine is sleep.â
I said my goodbyes. The same arrogant smile lingered on the womanâs face as I shook her hand. Sir Percival barely acknowledged me; his gaze was fixed impatiently on Madame Fosco, who didnât seem in any hurry to leave the room with me. The Count sat behind his book, a small smile playing on his lips. Once again, my chance for a quiet conversation with Sir Percival was slipping awayâand this time, it was the Countess who was in the way.